MOV’IN Cannes

A dance film competition

MOV’IN Cannes, the international dance film competition under the artistic direction of Didier Deschamps and Eric Oberdorff, will showcase the diversity and creativity of choreographic and cinematographic writing in a single day of international competition.

On Thursday 26 November, come and discover works in which movement, the body and the image interact with sensitivity, and help decide the winner of the Audience Award.

2.00 pm to 5.30 pm: screening of the 20 selected short films

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8.30 pm: awards ceremony and screening of the winning films

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Art Directors' Editorial

“Capturing a movement in its fleeting moment to convey its energy, fluidity, power, trajectory, beauty or poetry—with the dual aim of sharing it with one’s contemporaries and preserving its memory for future generations—has been a human obsession since the dawn of time. From the ochre painted on the walls of the Sulawesi cave to Nicéphore Nièpce’s tar-coated silver plates, the technical advances of every period in our history have contributed to this quest. At the very end of the 19th century, an extraordinary invention brought these millennia-long efforts to fruition.

It was in 1896, when cinema was not yet a year old, that the Lumière brothers filmed what is today considered the first dance film ever made. Their choice naturally fell on capturing ‘La danse serpentine’ created by Loïe Fuller, an iconic work of their era and a symbol of innovation and visual enchantment. A muse of Art Nouveau, the American choreographer and dancer had revolutionised the art of dance and choreography by incorporating technological inventions into her creations. And this film, of unparalleled formal beauty, marked the culmination of nearly 70,000 years of scientific and artistic research.

130 years later, in Cannes, a city of arts and culture, MOV’IN Cannes joyfully celebrates the films and artists who bring dancing bodies to the screen, thus following in the footsteps of their glorious predecessors. Buoyed by the public and professional success of its first two editions, the competition is now firmly established on the international scene as an unmissable event showcasing vitality, diversity, youth, inventiveness and commitment in films where the passion for contemporary creation embraces both dance and cinema in a single sweep.

Under the auspicious banner of this anniversary for its 2026 edition, MOV’IN Cannes is delighted to celebrate another concept invented by Loïe Fuller: free dance!”

Didier Deschamps
Eric Oberdorff
Co-Artistic Directors of MOV’IN Cannes

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MOBILIZING YOUTH MOV'IN CANNES 2025: A RESEARCH LABORATORY FOR DANCE AND IMAGES

Student viewing panels are fully involved in the films that are selected and screened in front of the jury and in public on Thursday, November 26, 2026.

They are students in training in the following educational structures:

  • BTS Audiovisuel Cannes Carnot
  • ESRA Côte d’Azur
  • PNSD Rosella Hightower
  • Villa Arson
  • Licence Arts du spectacle – EUR CREATES
  • Paris National Conservatoire of Music and Dance

 

To support students in their selection criteria, masterclasses are scheduled throughout the year to introduce them to the artistic issues involved in making a dance film, and to give them the keys to understanding their judging criteria.

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AN INTERNATIONAL NETWORK

In its desire to show the diversity and richness of dance creation on screen, MOV’IN Cannes wanted to involve prestigious institutions and dance film festivals in its approach by weaving a network of international partners:

  • Center National de la Danse, Paris
  • Cinedans, Amsterdam
  • Dança em Foco, Rio de Janeiro
  • Inshadow Festival, Lisbon
  • Light Moves Festival, Limerick – Ireland
  • Physical Cinema Festival, Reykjavik
  • San Francisco Dance Film Festival, San Francisco
  • Suzanne Dellal Center, Tel Aviv
  • POOL Movement Art Film Festival, Berlin