Filming dance means creating a dialogue between choreography and cinema to enhance the work. Should the camera remain a witness or become a participant? Come and discuss the challenges and rewards of this artistic encounter with professionals.
Participants will explore the challenges to consider in producing a dance film.
One of the main challenges when making a dance film is to create a dialogue between choreography and cinematography so that they feed off and enhance each other in the service of the work. What are the main pitfalls? Is the camera a witness or a participant in the choreography?
With the expected participation of Helena Jónsdóttir, director of the Physical Cinema Festival, Reykjavik, and Sylvain Bleau, director of Cinédanse - Montreal.
Free admission, subject to availability.
Group registration recommended: Julie Parisse ∙ 04 92 99 33 78
[email protected]
One of the main challenges when making a dance film is to create a dialogue between choreography and cinematography so that they feed off and enhance each other in the service of the work. What are the main pitfalls? Is the camera a witness or a participant in the choreography?
With the expected participation of Helena Jónsdóttir, director of the Physical Cinema Festival, Reykjavik, and Sylvain Bleau, director of Cinédanse - Montreal.
Free admission, subject to availability.
Group registration recommended: Julie Parisse ∙ 04 92 99 33 78
[email protected]
